With regards to the actual sound of the echo repeats, there are essentially two types of delays - analog and digital. There are so many different delays available now that it can be confusing to know which one is appropriate for Gilmour tones. Some duplicate the studio album delay times and some duplicate the live delay times.ĭAVID GILMOUR DELAY TIME LIBRARY - Song by SongĭELAY TYPES - ANALOG AND DIGITAL - David has used numerous types of delays in his carreer, both analog and digital. Below is a link to a song-by-song list of Gilmour's delay settings, compiled from measuring the echo repeats in official releases and bootlegs of live recordings, and from delay times visible on the LCDs of his digital delays. David GilmourĭELAY SETTINGS - Some of Gilmour's most commonly used delay times are 300, 380, 440, 480, 540, and 630ms. His delay times typically ranged from 300ms-550ms, with 5-8 repeats, but some songs required more specific delay times and settings, as detailed below.Ī bit of delay can smooth out the unpleasant, raw frequencies you get from a fuzz box. Sometimes he even uses two delays at once to create certain double tapped echo effects or to make a solo sound bigger. David usually sets his delays in time with the song tempo, which helps hide the echo repeats. Some songs require softer, warmer analog sounding repeats, and others require cleaner, more accurate digital delay repeats.
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Some of the most used digital delays in his live rigs were the MXR 113 Digital Delay (1977-1986), the MXR 151 Digital Delay System II (1983-2016), the Boss DD-2 (1983-1986, 2006), the TC2290 Dynamic Digital Delay (1987-1994), and the Free The Tone Flight Time FT-1Y Digital Delay (2015-2017).
He began using digital delays in place of the Echorec around 1977. He used analog delays like the Binson Echorec throughout the 1970s and one has been seen in his Medina studio from 2013-2017. David often uses long echo delays to help create a his big, smooth, and liquidy solo tones.
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